Synaesthesia comes from the Greek Syn – Together & Aesthisis – Sensing/Perceiving through the senses.
Synaesthesia is when you perceive through all of your senses, or a cross wiring of the senses, causing you to experience more than one senses simultaneously, like when you hear music and that creates the effect of seeing patterns, or feeling an emotion that also has a taste for you, or hearing a word and seeing a
colour at the same time. Thus we have an input that activates one of the senses and another sense is activated without an input.
“Some, who possess what researchers call “conceptual synaesthesia,” see abstract concepts, such as units of time or mathematical operations, as shapes projected either internally or in the space around them. And many synaesthetes experience more than one form of the condition.”
(https://www.apa.org/monitor/mar01/synesthesia)
People with this ability are called Synaesthetes and studies have proven that they have enhanced memory, intelligence and creativity than the rest of the population, as it’s easier to make connections between concepts. Synaesthesia can be associative, so senses are connected and associated in a person’s mind
(associator Synaesthete), or projective, when the images and colours are projected into reality (projector Synaesthete).
“Synaesthetes’ brains, they believe, are equipped with more connections between neurons, causing the usual modularity to break down and giving rise to synaesthesia.”
(https://www.apa.org/monitor/mar01/synesthesia)
Most scientists have come to the conclusion of the genetic factor regarding Synaesthesia and that we are born with this ability. Grossenbacher’s view is that during a hallucinogenic experience, that is proved to induce a synaesthetic experience, no new connections are formed in the brain during the hallucinogenic
experience, rather the existing connections are becoming activated and used (Grossenbacher, P.G., & Lovelace, C.T. (2001). Mechanisms of synaesthesia: Cognitive and physiological constraints. Trends in Cognitive Sciences, 5 (1), 36-41).
Different Types of Synaesthesia:
Auditory-tactile synaesthesia occurs when a sound prompts a specific bodily sensation (such as tingling on the back of one’s neck).
Chromaesthesia occurs when certain sounds (like a car honking) can trigger someone to see colours.
Grapheme-colour synaesthesia occurs when letters and numbers are associated with specific colours.
Lexical-gustatory synaesthesia occurs when hearing certain words triggers distinct tastes.
Mirror-touch synaesthesia has been described as a kind of supercharged empathy: A person feels as though they’re being touched if they witness it happening to someone else. It can be benign — such as an observed advantage in recognizing facial expressions—or burdensome, as in the case of a neurologist who felt intense pressure in his chest when he saw a patient receiving CPR.
Number form occurs when a mental map of numbers involuntarily appears whenever someone thinks of numbers.
Ordinal linguistic personification is a kind of synaesthesia where ordered sequences (e.g., the days of the week) are associated with personalities or genders.
Spatial sequence synaesthesia involves seeing numbers or numerical sequences as points in space (e.g., close or far away).
(Psychology Today, https://www.psychologytoday.com/us/basics/synesthesia)
In Light Language where each frequency has a color, something that is proved in Physics, at least the senses of hearing and seeing are co-activated like in Synaesthesia.
It is pretty clear why for example in the case of hearing music, that is a frequency, the visual activation of seeing a color at the same time, seems obvious and logical. A musical note can be expressed as a pure waveform. It can be measured by its wavelength in cm.
The sound of that note, or rather the frequency – how high or low it sounds – can be measured in Hz – oscillations per second. (Reference:https://www.physicsforums.com/threads/wavelength-to-frequency-relationship-in-musical-notes.979235/).
Human color vision depends on three photo-receptors in our retina: red, green and blue. The number of photons absorbed by each of these and their ratio determine the color we perceive.
Quantum mechanically, the probability of a photon to be absorbed by an r, g or b receptor depends on its frequency. The ratio of the probabilities determines the perceived color of a photon. There are infinitely many spectral compositions of photons that give the same rgb response, for example
pink. (The human eye can distinguish something on the order of 7 to 10 million colors).
The Wavelength is equal to the Speed of Light Divided by the Frequency, so the Frequency is affecting the Wavelength that is affecting the three photo-receptors in our retina, thus the perceived color. We can also assume here that the perception of the color that is activated, it differs in each person, depending on their programming through their culture, for example the English language has only a few words for Green whereas the Colombian language has a huge variety of greens. Thus the assumption that people are limited through their cultural-linguistic programming in their perception of colours.
Through our sacred geometry work which is called Light Language, and because the activation of the senses takes place in the Quantum field where Color frequencies and Geometric forms exist, the limitations are over-comed, thus opening the person to an infinite variety of perceptions through their senses.
In the case of Herbal Immersion, where each plant for example is in its primordial form of energy that is expressed through geometry, all the senses are activated in a more profound way, linking all the senses together, and having an almost instant effect in the perception of the student.
The activation of the senses is getting stronger the more you move forward in the journey of Herbal Immersion, with the effects lasting well beyond the classes and the connection of the student with the geometric form and color sequences of each herb, to their every day reality.
Senses are activated multidimensionally, the person is open to perceive a variety of stimuli through the complete senses’ activation, and to open their World beyond the given rigid reality that was known to them until that moment. It is a refreshing waking up to beyond the given, an adventure to the known-unknown (since we could always *see but we had no ability to perceive).
Light Language works directly on the Pineal, where the endogenic DMT exists. As we have seen from Grossenbacher’s study (above) there are no new connections created in induced synaesthesia, rather the existing ones are activated. Thus, when talking about Light Language, we can understand that by affecting directly the pineal as it is pure light information, the endogenic DMT is activated and starts activating and clearing the existing connection of the senses, clearing and activating the path of their interconnection, multiplying the perceived stimuli and giving them a new place in the perceived reality. This way the expansion of each individual is a certainty, and thus the expansion of the collective.
Light Language and more specifically the Herbal Immersion through the beautiful geometric patterns and color frequencies of the herbs that are linked to the Earth and to Us directly, are our path to open our perception, to activate more clearly and strongly our pineal, and start perceiving and experiencing an expanded reality as our true nature.
We are Waking Up to our true potential, to our inborn abilities, touching each moment a bit more of the universe around us, perceiving it and assimilating and connecting with it in a positive creative illuminated way.